Keep it Simple

Posted by Piper & filed under Blog, inspiration, Tips and information, travel.

Dassanach tribe in the Omo Valey, Ethiopia

Gear, gear, and more gear, does not create compelling images. Your passion for what you are photographing is what will create those “WOW” images; the ones that pop off a page from a stream of thousands. With access to so much content these days, it is easy to view hundreds of photographers work. You discover a body of work that inspires you and your thoughts instantly race to “How can I create those types of images?” It’s great to be inspired, but I caution you about that urge to go out and buy all the gear  which the photographer used to create those images, thinking that is the way to capture stunning photographs.

Hamar tribe, Omo Valley, Ethiopia

Technically, you can create the perfect lighting, but if you don’t capture emotion, you have nothing more than an empty snap shot

 

BE REALISTIC

You have to take a realistic inventory of what the photographer puts into the photograph before clicking the shutter.  How much research did they put into the location, finding the right guide, the time of year they chose to go and why?  (I covered some of these topics in my e-book, “Dream, Plan, Go”). What was their budget? How much time were they able to spend on the project? Did they have assistants? How much experience did they have working with the gear they were using?  It’s so easy to overlook these questions and go for the quick fix telling yourself, “I can create these images if I just had some lighting, off-camera flash gear, or the new ….(name a camera body).”

One of the most important questions, is, “What was their emotional connection to the subjects and project?”  When you visited the photographer’s site or project site, did you get the sense that the photographer was emotionally invested with the subjects? Had they spent a lot of time writing about the subjects, or their experiences with them?  Was the body of work part of a long-term personal project?

 

HAVING PASSION AND VISION

Today it is difficult to find a place that has not been photographed, yet I constantly find a photographer who has photographed a very popular place or subject and their work stands out and draws you in. Usually what I discover next is their deep sense of passion they have for the place or subject. It is when you have a deep honest connection to your subject that you capture emotionally compelling photographs. Having the right tools to create your vision is important, but without an honest emotional connection you may find your technically perfect photograph to be empty.

Don’t take photographs to be the best photographer; take them because you’re driven to capture what you find fascinating and extraordinary.  Don’t listen to the “nay sayers”,  that it has been “done” or  “that it is over-photographed”.  This has been proven wrong, many times over.

 

BELIEVE IN YOUR ABILITIES

Most of us only have a short amount of time in a remote location, so you want to maximize what you can accomplish. My advice is to shoot at  your skill level. Take time to experience what you are photographing. Get involved with your subjects. Participate in their lives, traditions, and culture. Embrace the experience that you are having, which most people will only get to experience through the pages of a magazine, or a stream on social media.  Spend your time capturing the amazing moments, people, and places that you are experiencing.

Keep it simple, by using the gear with which you are most familiar with. Don’t bring a lot of new gear, with high expectations of coming home with the best images that anyone has ever seen.  Don’t use precious time to learn lighting and off-camera flash during the only time you maybe visiting a special village, especially if you have never tried it before. If your vision is to use off camera flash in a remote location, spend the time to learn this skill before boarding the plane. Once you arrive, embrace the experience of what excited you about the place to begin with. Let the photographs come naturally, by using your abilities to capture the creative ideas that stirred when immersing yourself into a new and exciting environment.

Below are images captured using natural light.  In an exotic place like the Omo Valley, you can capture incredible images with an iPhone and have an experience of a life time. It would be awful to miss these shots because you are fumbling around trying to learn new gear or a new technique.

Kara Tribe, Omo Valley, Ethiopia

 

suri tribe, Omo Valley, Ethiopia

 

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Kara Tribe, Omo Valley, Ethiopia

 

This last photograph was taken with the iPhone, in bad light. My pro bodies would not have captured this as well as the iPhone.  CLick here to read a  past article I wrote bout using my iPhone in the Omo Valley.

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Inspired by the experience; my first multi-media piece

Posted by Piper & filed under Blog, inspiration, travel.

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Four plus years ago I walked into my first lecture about shooting video with a DSL camera. I listen to the words that all photographers are going to need to shoot video and the wall of resistance instantly went up. UGH!! I had not even grasped the DSL Camera and shooting stills yet; I did not want to shoot video, I loved photography. Well a few years back, when I upgraded one of my bodies to one that had video capabilities, I started shooting a few clips. Why, because I could and because I was told I should be doing it. I mean, if there were not these constant conversations being had that photographers are going to need to be able to shoot video to survive, I probably would not have jumped in on my own accord. There were already video/film makers that loved doing it.  I think the main reason I resisted was the time I would need to learn the editing process.

At first, I started filming when the conditions were not good for stills; why not try it out.  Not a terrible idea, as you are able to film a lot of situations in which you could not produce great stills. The problem was when I saw some of the footage, I then wanted great footage, but I was not willing to sacrifice my still images to get that footage. I would return from a trip and just drop the footage in a hard drive not sure what to really do with it. Sound familiar?  From time to time I would drop it in iMovie and mess with it, but again, I didn’t really know what to do with it. I put some to music and put in some still images, but nothing that inspired me to really get on board.

Then last year, I need to create a promotional video for one of my projects. I met with the really talented staff at Tandem and stills, which I highly recommended for video projects!! A long story short, they told me to drop of mediocre and they would deliver amazing. They did just that. Sorry, I am not able to show you the video yet, but that greatly inspired me to want to shoot more video. It also helped that I hooked up with an amazing guide and filmmaker in Namibia who took me under his wing and taught me tons in the 10 days we were together.

This past year 2013, when I was in Ethiopia for about 2 months, I spent a lot of time shooting video instead of stills. I even managed a few interviews. I had a small vision of what I wanted to create, but I was still shooting a lot of footage just to shoot it. When I arrived in Lalibela (Northern Ethiopia), we were invited to a special ceremony at the underground churches; the celebration of St Mary. It was like stepping back a thousand years as hundreds of priest were chanting, singing, dancing and performing ancient rituals. The chanting was surreal and I immediately thought video.  The ceremony was from 9 pm until sunrise, so the lighting was a huge challenge for video and stills, but I shot it to the best of my abilities. It was such an incredible experience our guide pulled us away around 2:00 AM, for a few hours of sleep, before returning at daybreak.

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I just now found the time to watch the footage I shot in Lalibela. It inspired me so much I immediately decided I must create/edit my first true multi-media piece. I found a great source on the web, for videos on how to use iMovie, from MacMost. I went to work. Eight hours later I had something I was excited about. There were times that my frame rate was too slow or fast, but I am learning. I would need to work in Final cut pro to be able to lift some of the shadows in good quality and some of the transition could be a little be a little smother, but he exciting part is that I am now embracing this new powerful tool in story telling. Now that I have made this first piece, I cannot wait to return, attend the Christmas Ceremony in Lalibla, January 7th, 2015, and see the difference in how I shoot it and the piece I will create. Just going through this first editing process has taught me a lot!!

I have learned that I will probably always be a little late to the party, but I need to flow into things in their own time. I still love photography, but it is the story telling that I am passionate about. This is just another awesome tool. This May marks a decade of my photography journey and I can’t wait to see what the next decade brings in exploring this new medium.

It is not easy to put yourself out there, but I wanted to share this first project with you to encourage you to take a risk. Try new things. Go to new places. Put yourself out there. Don’t worry what others think. Know this going in; if you put yourself out there, it is 100% guaranteed that you will be rejected. In today’s anonymous Internet world, it is 100% guaranteed, you will draw out the haters and critics, but these are usually the individuals who are too afraid to get into the arena. We get one life, so I say take courage over comfort and jump in!!! It is one exciting ride.

 

Coming Full Circle

Posted by Piper & filed under Blog, travel.

My work has not always been focused in Africa.

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This journey started, a decade earlier, by simply booking a trip to Africa with the Sierra Club.  A place I had longed to go since I was a child. One of the items on the list of what to bring was a 300mm lens. I had no idea what that was or what camera I would need, as I had never even held a real camera before, other than a cheap point and shoot; does that even count? My local camera store got me sorted and I flew off with my first professional SLR camera, a 75-300 image stabilized lens, and  CD burner…. remember how we first downloaded files from our CF cards…LOL.

Arriving in Africa was magic! I feel in love with everything about it, from the minute my feet touched its rich red soil. I discovered a passion for photography that was stronger than any I had know previously. Although I returned to Africa twice more in the 6 months that followed that first trip, and every year since, I decided I should explore this passion in more areas than just wildlife and Africa. I decided to go to India with a very successful travel photographer. The itinerary included a few days in Ranthambore to photograph the tigers so this seemed perfect for me. India was a 24/7 party of color, music, entertainment, and eye candy. The people were warm, friendly and fun to photograph. I had a blast and have long to return.

Beautiful young woman in Rajastan India

 It has been on the list for years, but things just did not line up quite right until this past year.  I am very excited to be teaming up with Deborah Sandidge for the Colors of India Tour in January/Febuary of 2015. Deborah brings many different talents and skills in travel photography, such as her long exposers, cityscapes at twilight, and infrared knowledge that will compliment my travel and cultural photography skills. She shoots with Nikon and most of you know I am still shooting with Canon. We are excited to be so versatile in our skills to be able to help everyone create stunning imagery. I have wanted to team up with another photographer for several years, but it takes time for it all to come together. We passionately worked hard to create an itinerary that includes two festivals and added a one night camel safari in the Thar desert.

Deborah Sandige Cityscapes at twilight

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London

Learn more about Deborah and view her images here 

Rajasthan, India is a place of energy, color, music, celebrations and surprises around every corner. Tractors come down the street decorated like they were going to be a float in a parade with music blaring from a boom box. Women are wondering the streets in bright saris and in the desert region the men are wearing bright multi-color turbans.  You could be out photographing the town and a wedding party suddenly starts marching down the street; men holding chandeliers, a stereo blasting music, the groom siting on top of a vibrantly decorated horse and a sea of women all dressed in their most beautiful traditional clothing. India is also a country that has extreme poverty, but is part of their society mixed in with all the beauty, unlike the way we try to tuck it away from the main stream. It would be extremely difficult to experience the Rajasthan area, without also experiencing it’s poverty. As a photographer, I want to experience a country and culture raw and as it is, even thought it can pull at my heart.

 

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My work will continue to be focused on the African continent, but it is important to mix it up and keep the creative juices flowing by stepping out of your norm, seeing differently, and increasing your skills to capture compelling images.  I was only into my first few years of photography when I visited India. It will be interesting to see how I view it through the lens seven years later. It also signifies coming full circle as I will now be leading a trip that I loved as a participant.  On a side note, I want to share that a few of the participants from the India trip have now been with me to Africa. I have made wonderful and long friendship with many of the people I have traveled with over the past decade. Just another wonderful way that photography has enriched my life.

Men walking their camels along the ridge of the sand dunes in Jalsalmer, India

We have a great group of people already signed up, but there are still a few spaces open if you would like to join us.

 More than a photograph; an Experience.

 COLORS OF INDIA – DETAILS

Paying for Photographs

Posted by Piper & filed under Blog, Tips and information, travel.

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This is a question that comes up often in the comments of my post on FaceBook and Google+, particularly when I am posting photographs of the tribes in Africa. There is no one single right answer to this question; every situation is different. I know this is a topic many photographers struggle with, so I thought I would share my thoughts on this topic.

ON THE STREET, IN A MARKET, DRIVING DOWN THE ROAD –

When I am walking down the street, jumping out of vehicle, or roaming through a local market, I don’t usually pay for photographs. I am photographing environmental portraits of everyday life as it is happening. I am not disrupting what people are doing; I am merely documenting what I am seeing. Handing out money in these situations promotes begging and has negative effects, changing behavior. It teaches the culture to harass every tourist coming to visit, even if they are just using a point and shoot or iphone to document and share their vacation/experience. It can be a little heart tugging not to hand out money simply because many of these people have little or nothing. The best way to help your heart is to donate to an organization doing good work in the area, prior to your arrival.

However, if I see someone interesting or someone doing something that caught my eye, and I ask them to repeat it, or take them away from what they are doing, I may give them a little something in exchange. This does not automatically mean this exchange is currency. It could be; printing a quick photo of them to and giving it to them, coffee, candy, razor blades (popular with the tribes), tee-shirt or some other desired item. In these situations, I prefer to barter with a materialistic item for rather than hand out cash.

IN A VILLAGE
When visiting a village, remember, you’re a visiting someone’s home and you are a guest. When I first come into a village, I like to arrive early to properly meet the people. Taking sometime to socialize with them before taking out a camera will make for a much more relaxed and welcoming situation. If time permits, I like to visit a village a head of time without my camera.

If I ask a subject to model for any length of time, and I intend to use the photographs for anything other than sharing with friends and family, I pay them. I respectfully try to make this a business arrangement and negotiate a price in advance, before pulling out my camera and shooting. You would pay a lot of money to a model in the western world, why would you treat the indigenous cultures you are photographing any differently? If a photographer/film company arrived at your home wanting to photograph or film how you go about your daily life, would you open the door and say. “sure, take as much time as you need?”. Treat them the same way you would expect to be treated, with dignity and respect.

AT AN EVENT OR FESTIVAL
Again, each situation is different, but if I attend an event or festival where an advance fee or payment has been arranged, and I have permission to attend and photograph the event, I usually do not hand out money for photographs. That does not mean I will not be asked, but to hand someone money in this situation because they are hassling me, is the wrong action. I have made an agreement that should be honored. Situations like this can become tricky; having a great guide and relationships with some of the people who are attending the event, can be key.

However, similar to my philosophy on street shooting, if I find someone fascinating and take him or her away from the celebration, to pose for me, I might, make some kind of exchange.

PAYMENT CAN BE MANDATORY
From my experiences and observations, in most situations, it is the tourists who are changing the behavior of these cultures and not photographers; aside from the major impact of the modern world being thrust upon them. Most photographers have a curiosity and fascination about the subjects they photograph. They want to spend time socializing with them to learn about their culture and way of life and then begin to photograph them.

Sadly what I witness is that most tourist arrive at a village, take out their camera’s, rush around for twenty minutes, grabbing as many photographs as possible, hand out money for every photograph, get in their cars, and leave. This may happen several times a day, especially when a remote area becomes popular because new roads create easier access. The result, the people have been treated like objects. They have been trained that a car full of people from the other world will arrive, take a few photographs and  hand out money. Over time, payment for photographs becomes mandatory. There is not much you can do to change this, once it has started, but how you handle this situation, can have a big impact not only on those your are photographing, but those coming behind you.

TIP
When planning a trip to photograph indigenous cultures, build time into your schedule to spend a morning, afternoon or evening, with them, without your camera. Bring a gift of coffee, tea, or sugar, but bring it as a gift, not in exchange for what it might bring you later.  This will not only add to your own experience, but your photographs will be more compelling. Remember, more than a photograph is the experience; one that you want to remember not only through the images you took. If you are not able to plan this much extra time, try to go with someone who already has established relationships with those you want to photograph. You may also want to travel with someone who has experience in these type situations before going solo.

ADVICE
These are just the guidelines I have created for those who travel with me and for myself; they may not fit your situation or values. This post is to help you make your own decision on what you feel is right. My philosophy comes from my experiences of working in the remote nomadic regions of Africa. There are many of you that follow this blog who have experience photographing cultures around the world. It would be great if you would share your experience, thoughts, and comments on how you handle paying for photographs. Together, as photographers, we can ensure that we try to handle this situation with respect and dignity to those we are photographing and be ambassadors for those following our trail.

It takes time to get a balance and create you own philosophy about  paying for photographs, but most importantly is to come from a place of respect and dignity.

Another article you may enjoy reading is  - How to approach street photography in 12 easy steps, by Valerie Jardin

Thanks for a great 2013

Posted by Piper & filed under Blog, travel.

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There are times in life when it’s good to slow down and be silent. That is how I decided to end the last few weeks of 2013; one of the most chaotic, but rewarding years, since picking up a camera and heading to Africa, almost a decade ago. Since I have been sharing images throughout the year, rather than posting my top images of 2013, I thought I would post just few of the remarkable moments I had the honor of sharing with some of you. I wanted to start off 2014 by thanking those of you who joined one of my photographic adventurous, especially those brave enough to came on one of my private scouting trips!

Thanks for having the courage to get out of your comfort zone and letting me be apart of some of your first in life. One of you had never been on a photography tour, yet you chose to come to the Omo Valley on your first, jumping in with both feet. One of you was a keen portrait and landscape photographer, but not sure you were going to be wild about wildlife. That all change the moment you saw your first elephant in the wild! Many of you embraced the cultures we visited, being part of the ceremonies, rather than just observing and photographing them from the sidelines. Several of you were on your first safari, one of the most magical experiences of a lifetime, and you are now planning your second.

This is still a relatively newer part of my business as a professional photographer and a responsibility that I do not take lightly. I put my heart and soul into each itinerary, scouting the area first, and sweating it out in the background that all goes as planned. It takes a great team of people to make it all come together. I wanted to thank all the extraordinary guides, their patience, and endless hours of hard work. I want to thank all the outfitters who did backflips to make the itineraries work. I especially want to extend a special thank you to Sunworld safaris, my outfitter in Kenya, for all the support and respect you have given over the past few years, and always delivering beyond what was promised!!

It is with deepest gratitude, that I want to thank all of you for endless suggestions, idea’s, and comments, which will help me to continue to design unique itineraries and improve the experience for everyone joining me in the future.  Thank you all for touching my life in amazing ways. May 2014 be your best year ever, filled with more amazing experiences and stories to share in the rocking chair.

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No Black Friday here, but………..

Posted by Piper & filed under Africa, Blog, travel.

Wait to see what happens in my newsletter on cyber Monday!!!!

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Hope you all had a wonderful Thanksgiving. It is one of my favorite American holidays. It is were we are almost forced to stop our too busy lives for just one day, reflect, and be grateful for all we are blessed with. There are so many things to be thankful for and at the top of that list is my family and friends who have continuously supported this crazy dream. That support allowed me to find the courage to take risk, keep taking them, and experience places and events on this earth beyond my wildest dreams. My hope is that everyone can experience the magic of Africa, so on Cyber Money, in my newsletter, I will be offering a couple of big, but limited,  discounts, on two of my trips in 2014. So enjoy the frenzy of Black Friday, catch your breath, and look forward to your mail on Monday.

More than a photograph, an experience

Posted by Piper & filed under Africa, Blog, travel.

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I recently returned from 7 weeks in Ethiopia, which included several weeks exploring new ground that included wildlife and the historical north. It will take weeks to go through all the amazing images because I get so excited reliving many of the crazy wonderful experiences. It severely delays the process. So, I thought I would pull out a few and just start sharing.

This year I was able offer an extension down the west side of the Omo, to visit the most remote, but most exotic and beautiful Suri tribe. Remote, meaning two long days of driving, but I had a crew of funny, spunky, vivacious, fearless and extraordinary women who brought their senses of hummer; quite mandatory for a trip such as this. Since we were mostly camping, it was like girl scouts, but letting it all hang out and having loads fun. Guys you missed out on this one!! The reward was great stories for the rocking chair and extraordinary images.

The Suri tribe is known to be one of the most ornate tribes in Africa with the artistic body paint, headdresses, and lip plates. Since they are so remote, they have not been as effected by tourism as on the east side and most all are still dressed in their traditional clothing. You feel like you have gone back to an authentic Africa of times gone by.

It can be hard to pull yourself away from taking portraits of these beautiful people and capture some of the environmental shots.

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I loved the adventurous spirit of those who went to great lengths to capture the extraordinary

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We enjoyed hours at villages surrounded by the beauty of the landscape as the Suri went about their daily lives.

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One of the highlights of the trip was a visit to the cattle camp. This is where the men go to take care of the cattle; a very prestigious job. In the evening once the cattle were back in camp they would go through their evening rituals of bloodletting (drinking the blood from the cattle followed by drinking their milk), covering their bodies in ashes, and dancing. We were in awe of the authenticity of the place and their hospitality in letting us freely wander through the camp to experience and photograph this mystical place.

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A trip filled with memories of a lifetime.

Don’t miss out on the next tribal and wildlife photographic adventure this April. Cultures are vanishing into the modern society faster than wildlife is being poached and environments destroyed. Sadly, I think we are one of the last generations that will get to have these beautiful authentic experiences as we race towards a generic society. I teamed up with a very talented Namibian photographer and filmmaker with over 20 years of guiding experience to put together and extraordinary itinerary to experience and photograph the Himba tribe and San Bushman in Namibia, as well as some of the exotic wildlife living in the stunning Namibian Desert. Please click here for all the details.

Himba women walking in morning light

Himba women walking in morning light

A long journey

Posted by Piper & filed under Blog, travel.

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It has been a long Journey. Some seem much longer than others, even though I am on the same flights heading back to Africa; this was one of those times. I suppose it is because this past year has presented many more challenges, something that is not new and quite common.  Most people see only the beautiful images and exotic travel and not the hundreds of relentless hours of hard work, in between every trip.  This trip in particular, I was heavy-footed boarding the plane, exhaustion was probably the biggest factor. Even as the plane touched down in Nairobi, in route to Ethiopia, I was feeling heavy hearted. However, the minute I stepped off the plane and breathed in the Smokey sent of Africa, a huge smile came across my face. Magic. All was instantly right with the world and I was exactly where I was supposed to be.  It has a very profound effect on me every time, and makes me ask why I continue to make the US my home. Now, even after 24 hours of travel, with the last leg of the journey still ahead of me, I sit in the Nairobi airport inspired to write; something I have not had much time to do this year.

One great surprise was running into Joe and Mary Anne McDonald on my flight from Amsterdam. Not only are they extraordinarily talented wildlife and nature photographers, but great people.  They were some of the first wildlife photographers I met almost a decade ago. Coming from the fashion industry and a culture of nasty competitors, I will never forget how they changed my life, with their extreme kindness and willingness to openly share all their knowledge. I flew out to their house for a week long boot camp to learn photoshop. Not only did they come rescue me when I got lost in the woods on the way to their home, but they also got  me to laugh when I was having a meltdown trying to learn layers!! They answered any questions I had and even gave me some contacts in Africa.  It was these acts that greatly influenced my decision to become a wildlife photographer and surround myself with as many wildlife and nature photographers as possible; this, I decided, was a great group of caring people.

Although, it has been many years since we have seen each other, the McDonalds have been a constant roll model. If you do not know who they are, take a few minutes to visit their site. They teach fantastic workshops here in the states, and lead exotic wildlife tours throughout the world, including safaris in Tanzania and Kenya. I highly recommend signing up for one; it is an experience you will enjoy, have lifelong memories, improve your craft, and get to know some great people in nature and wildlife photography.

It was great to have a few hours to reminisce about the years past; something that most of us do not do often enough. It is a great reminder that it is the journey to the destination that we will look back on with such fond memories.

Amazing Amboseli

Posted by Piper & filed under Africa, Blog, travel, Wild life.

I recently return from another magical safari in Kenya. There are  so few experiences in life that go beyond ones expectations, but Africa seems to deliver on this,  over and over again. Amboseli, known for its mass herds of elephants, is one of my favorite National Parks in Kenya.This years trip  was simply amazing.  My main reason for going to Amboseli is to experience the mass herds of elephants and zebras crossing the open dusty plains. Capturing some of the iconic images in this location is simply a bonus.

Canon 5D Mark II, 200mm, f/14, 1/500 -0.67

Canon 5D Mark II, 200mm, f/14, 1/500 -0.67

I like to inform those traveling with me that this should be our focus; it is what is special to this area.  The big cats are hard to find and even if you do, it is rare to have a good sighting. I let them know there  will be plenty of opportunities to experience and photograph the big cats in the Mara. Well this trip, Amboseli proved me to be quite wrong.  Right on Q, only a few minutes into the park, we were welcomed by one of the many groups of elephants that would cross our paths , over the next three days.

Canon 1DX, 500mm, 1/2000, f8, ISO 500

Canon 1DX, 500mm, 1/2000, f8, ISO 500

We arrived at our lodge, settled in, and had lunch, while being surrounded by the picturesque beauty of Africa and its wildlife. Early afternoon we hopped in the Land-cruisers  to head out on our first official game drive, with a plan of action. That soon change the minute our vehicles got out of the gate. There was a sighting of two cheetahs hunting. When we arrived, they were very close to the road and passed right along beside us. It was an amazing sighting, a great way to start our safari.

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Canon 1D-X, 500mm, f/20, 1/800, ISO 1000

 

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Canon 1D-X, 500mm, f/7.1, 1/800, ISO 1000

Lucky for the Zebra, they are too big for the cheetah to bother with.  However, it did cause a large group of them to run off, creating a lot of dust and a perfect photographic opportunity.

Canon 1D-X, 500mm, F 7.1, 1/1000, ISO 200

Canon 1D-X, 500mm, F 7.1, 1/1000, ISO 200

 

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Canon 5D Mark II, 130mm, F 10, 1/640, -0.33, ISO 200

 

The next morning within minutes of going out on our first game drive, we had two studly male lions cross our path for a brief moment. Just enough time to raise our cameras and grab a few shots.

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Canon 1D-X, 500mm, f/13, 1/ 500, ISO 1000

 

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Canon 1D-X, 500mm, f/13, 1/ 500, ISO 1000

 

Then later that same afternoon we had another rare sighting of a Serval Cat, out in the open. The gazelle was larger than he wanted to bother with, so after a quick glance, he just kept going.

Canon 1D-X, f6.3, 500mm + 1.4 extender (700mm), + 0.67, 1/320, ISO 250

Canon 1D-X, f6.3, 500mm + 1.4 extender (700mm), + 0.67, 1/320, ISO 250

 

The action seemed to be non-stop and I had to remind myself we were in Amboseli and not the Mara. Even the Ostrich could not resist a dust bath.

Canon 1D-X, 500mm, f 7.1, 1/800, ISO 500

Canon 1D-X, 500mm, f 7.1, 1/800, ISO 500

 

Canon 1D-X, 500mm + 1.4 extender (700mm), f/11. 1/360, ISO500

Canon 1D-X, 500mm + 1.4 extender (700mm), f/11. 1/360, ISO500

 

Canon 1D-X, 500mm,  f 5.6, 1/1000, ISO 250

Canon 1D-X, 500mm, f 5.6, 1/1000, ISO 250

 

Canon 1D-X, f/8. 1/2000, ISO 500

Canon 1D-X, f/8. 1/2000, ISO 500

 

The last afternoon nature blew up one crazy dust storm, so we did not even have to wait for the zebra to stir  up the dust themselves.

Canon 5D Mark II, 500mm, f/7.1, 1/250, +0.67, ISO 640

Canon 5D Mark II, 500mm, f/7.1, 1/250, +0.67, ISO 640

 

Canon 5D Mark II, 500mm, f/7.1, -0.33, 1/500,  ISO 500

Canon 5D Mark II, 500mm, f/7.1, -0.33, 1/500, ISO 500

 

Canon 5D Mark II, 500mm, f/7.1, -0.33, 1/200,  ISO 500

Canon 5D Mark II, 500mm, f/7.1, -0.33, 1/200, ISO 500

 

The final morning we spotted a herd way off in the distance, but coming fast. Our divers estimated they were moving approx 40 MPH. It was a highlight and a great send off.

Canon 1D-X, 200mm + 1/4 extender (280), f/13, 1/250, ISO 1250

Canon 1D-X, 200mm + 1/4 extender (280), f/13, 1/250, ISO 1250

 

In the end, it was one of the best Amboseli trips  I have experienced. We were off to an excellent start!!

Canon 5D Mark II, 70-200, 100mm, f/14, 1/1000, ISO 1000

Canon 5D Mark II, 70-200, 100mm, f/14, 1/1000, ISO 1000

I choose the iPhone

Posted by Piper & filed under Africa, Blog, travel.

I choose the iphone -

For weeks you have been wondering about my experience with the Nikon D4 and if I have decided to make the change from Canon to Nikon. I honestly have not had the time yet to get my hands on the 1DX Canon, which I must test first, before making a fair decision. However, on my recent trip to the Omo Valley I almost decided to go with neither and just use my iPhone.

One of our last stops was at a Konso village, a world heritage site. The area is unique as the villages are at the top of the hills and the Konso have created a beautiful  terracing system to grow their crops. The villages are very dense with a labyrinth of  very narrow stone wall pathways. I had been there before and knew that even in the best lighting it was a very difficult place to photograph. I was tired and decided it was not worth the trouble of grabbing my camera’s but instead threw my iphone in my pocket.

Louise Porter was on the trip and brought an infrared camera. The images on the back of the camera looked amazing and were very inspirational (yes I am thinking about doing some infrared going forward!). The village, with the stone and use of wood was very neutral in color. With the thoughts of the infrared images in my mind, I was thinking the best way to capture this would be in black and white or cepia to capture the ancient and timelessness of this place.

We came around a corner and there sat this elder man along the beautiful stone pathway and I just had to take a photograph. They say the best camera is the one you have with you. Not wanting to miss this opportunity or the others below, I whipped out my iPhone and did what came natural. It was pretty exciting to see the results when I downloaded the images and processed them in NIK silver efex 2.